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Richard Dupont : ウィキペディア英語版 | Richard Dupont
Richard Dupont (born 1968) is an American artist who lives and works in New York City. His artistic practice includes installations, sculptures, prints, paintings, and drawings. He received a BA from the Departments of Visual Art and Art and Archeology at Princeton University.〔Milchman, Kari. "The Many Faces of Richard Dupont".City Arts, May 18-June 15, 2011, Volume 3, Issue 10, p.8-9.〕 His solo museum exhibitions include The Queens Museum, The Middlebury College Museum of Art (2011),〔Woodward, Christian. "College Art Museum a Treasure to Community". Addison County Independent, December 2011.〕 The Hudson Valley Center for Contemporary Art (2008). He has presented major installations at Lever House (2008)〔Green, Elliott. "Richard Dupont Lever House Gallery". ARTnews, June 2008.〕 and The Flag Art Foundation (2010), both in New York City.〔Wolin, Joseph. "Size Does Matter". Time Out New York, April 2010.〕 His works are included in the collections of The Museum of Modern Art,〔Fang, Alexander. "Fandon for Phantom". MoMA Inside Out, March 3, 2011.〕 The Whitney Museum of American Art, The Museum of Fine Arts, Boston, The Cleveland Museum of Art, The Brooklyn Museum, The Hammer Museum, and The New York Public Library Print Collection among many others.〔Milchman, Kari. "The Many Faces of Richard Dupont".City Arts, May 18-June 15, 2011, Volume 3, Issue 10, p.8-9.〕 == Work == Richard Dupont's work draws from a variety of themes and references, and has been described as post-digital and post-conceptual. His work references the Body art, Process art and Systems art movements of the 1960s and 1970s. However, he uses a 3D digital model of his own body rather than his body itself.〔Braithwaite, Hunter. "Surveilling The Relics". World Sculpture News, Winter 2012.〕 Dupont had his body scanned at a General Dynamics facility on The Wright Patterson Air Force Base in 2004, and has been working from these images, translated into both two and three dimensions, since then.〔Schwendener, Martha. "Review: Richard Dupont's 'Sobriquets," the Human Form From Scan to 3-D". The New York Times, July 16, 2015.〕 An interest in the darker implications of biometric technologies underpins much of his work.
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